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Rifugio Revolto

Rifugio Revolto offers relaxation and unique views in the Brenta Dolomites, ideal for hikes and stays immersed in unspoiled nature.

Dimore
āϏ⧇āϞāĻ­āĻž āĻĄāĻŋ āĻĒā§āϰāĻ—āύ⧋
Rifugio Revolto - Immagine principale che mostra l'ambiente e l'atmosfera

Rifugio Revolto: a corner of paradise in the Brenta Dolomites

The Rifugio Revolto, located in Selva di Progno, is an ideal destination for those who want to fully immerse themselves in the unspoiled nature of the Brenta Dolomites. This refuge stands out for its strategic location, a perfect starting point for numerous hikes winding through panoramic trails and breathtaking landscapes, typical of this uniquely mountainous area.

Those who choose Rifugio Revolto can enjoy moments of true relaxation, far from the chaos of the cities, breathing the pure mountain air and letting themselves be enveloped by the silence of nature. The Brenta Dolomites, recognized as a UNESCO World Heritage Site, offer an ideal setting for outdoor activities, from trekking and climbing to simple walks in nature.

Features and services of Rifugio Revolto

The refuge is equipped to welcome hikers and mountain lovers with a warm and comfortable environment, where you can spend the night or stop for a restorative break. Among the strengths of this facility, the following can be highlighted:

  • Panoramic location with spectacular views of the surrounding peaks and valleys
  • Cozy and family-friendly atmosphere
  • Possibility of guided hikes and itineraries for all levels of difficulty
  • Traditional local cuisine that allows you to savor the typical flavors of the area

The combination of wild nature, tranquility, and quality hospitality makes Rifugio Revolto a perfect destination for those who want to disconnect, immersing themselves in a context of great scenic beauty and enhancement of natural heritage.

For those seeking an authentic experience in the Brenta Dolomites, choosing to stay at Rifugio Revolto means trusting a place where nature, comfort, and adventure come together in perfect balance.

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āĻ…āύāĻ¨ā§āϝ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž

āĻĒ⧇āϰ⧁āϜāĻŋāϝāĻŧāĻžāϰ āϞ⧁āĻ•āĻžāύ⧋ āϰāĻ¤ā§āύāϏāĻŽā§‚āĻš: āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ, āĻ“āϝāĻŧāĻžāχāύ āĻ“ āχāϤāĻŋāĻšāĻžāϏ ⧍ā§Ļ⧍ā§Ģ

āĻĒ⧇āϰ⧁āϜāĻŋāϝāĻŧāĻžāϰ āϞ⧁āĻ•āĻžāύ⧋ āϰāĻ¤ā§āύāϗ⧁āϞāĻŋ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϰāϝāĻŧ⧇āϛ⧇ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻ‰ā§ŽāĻ•āĻ°ā§āώāϤāĻž, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ¸ā§āĻĨāĻžāύāϏāĻŽā§‚āĻš āĻāĻŦāĻ‚ āĻ…āύāĻ¨ā§āϝ āϰ⧇āĻ¸ā§āϟ⧁āϰ⧇āĻ¨ā§āϟāĨ¤ āĻĒ⧇āϰ⧁āϜāĻŋāϝāĻŧāĻžāϰ āφāϏāϞ āϰ⧂āĻĒ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻĒāĻĄāĻŧ⧁āύ āĻāĻ•ā§āϏāĻ•ā§āϞ⧁āϏāĻŋāĻ­ āĻ—āĻžāχāĻĄāĨ¤

āύ⧇āĻĒāϞāϏ⧇āϰ āϏ⧇āϰāĻž āφāĻ•āĻ°ā§āώāĻŖāϏāĻŽā§‚āĻš: āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ ⧍ā§Ļ⧍ā§Ģ
āφāĻ°ā§āĻ•āĻŋāĻŸā§‡āĻ•āϚāĻžāϰ āĻāĻŦāĻ‚ āĻĄāĻŋāϜāĻžāχāύ

āύ⧇āĻĒāϞāϏ⧇āϰ āϏ⧇āϰāĻž āφāĻ•āĻ°ā§āώāĻŖāϏāĻŽā§‚āĻš: āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ ⧍ā§Ļ⧍ā§Ģ

āύ⧇āĻĒāϞāϏ⧇ āχāϤāĻŋāĻšāĻžāϏ, āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻ“ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻŽāĻžāĻā§‡ āϏ⧇āϰāĻž āφāĻ•āĻ°ā§āώāĻŖāϗ⧁āϞ⧋ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰ⧁āύāĨ¤ āĻļāĻšāϰ⧇āϰ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āφāχāĻ•āύāĻŋāĻ• āĻ“ āĻ…āύāĻ¨ā§āϝ āĻ¸ā§āĻĨāĻžāύāϗ⧁āϞ⧋ āĻŽāĻŋāϏ āύāĻž āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄāĨ¤

āĻŽāĻŋāϞāĻžāύ āĻ“ āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ ⧍ā§Ļ⧍ā§Ģ āϏāĻžāϞ⧇āϰ āĻļā§€āĻ°ā§āώ ā§§ā§Ļ āĻŽāĻŋāĻļ⧇āϞāĻŋāύ āϰ⧇āĻ¸ā§āϟ⧁āϰ⧇āĻ¨ā§āϟ
āĻ–āĻžāĻĻā§āϝ āĻāĻŦāĻ‚ āĻ“āϝāĻŧāĻžāχāύ

āĻŽāĻŋāϞāĻžāύ āĻ“ āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ ⧍ā§Ļ⧍ā§Ģ āϏāĻžāϞ⧇āϰ āĻļā§€āĻ°ā§āώ ā§§ā§Ļ āĻŽāĻŋāĻļ⧇āϞāĻŋāύ āϰ⧇āĻ¸ā§āϟ⧁āϰ⧇āĻ¨ā§āϟ

āĻŽāĻŋāϞāĻžāύ āĻ“ āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ ā§§ā§ĻāϟāĻŋ āϏ⧇āϰāĻž āĻŽāĻŋāĻļ⧇āϞāĻŋāύ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰ⧁āύāĨ¤ āĻ…āύāĻ¨ā§āϝ āϗ⧁āϰāĻŽā§‡ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž, āĻĒāϰāĻŋāĻļā§€āϞāĻŋāϤ āϰāĻžāĻ¨ā§āύāĻž āĻāĻŦāĻ‚ āĻ–āĻžāρāϟāĻŋ āĻ¸ā§āĻŦāĻžāĻĻāĨ¤ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄāϟāĻŋ āĻĒāĻĄāĻŧ⧁āύ!

āϞāĻžāĻ•ā§āϏāĻžāϰāĻŋ āĻāĻ•ā§āϏāĻĒ⧇āϰāĻŋāϝāĻŧ⧇āĻ¨ā§āϏ⧇āϏ āĻŸā§‹āϰāĻŋāύ⧋: āϏ⧇āϰāĻž ⧍ā§Ļ⧍ā§Ģ-āĻāϰ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ
āĻ…āύāĻ¨ā§āϝ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž

āϞāĻžāĻ•ā§āϏāĻžāϰāĻŋ āĻāĻ•ā§āϏāĻĒ⧇āϰāĻŋāϝāĻŧ⧇āĻ¨ā§āϏ⧇āϏ āĻŸā§‹āϰāĻŋāύ⧋: āϏ⧇āϰāĻž ⧍ā§Ļ⧍ā§Ģ-āĻāϰ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ

⧍ā§Ļ⧍ā§Ģ āϏāĻžāϞ⧇ āϟ⧁āϰāĻŋāύ⧇ āϏ⧇āϰāĻž āϞāĻžāĻ•ā§āϏāĻžāϰāĻŋ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰ⧁āύ: āĻļāĻŋāĻ˛ā§āĻĒāĻ•āϞāĻž, āϗ⧁āϰāĻŽā§‡ āĻāĻŦāĻ‚ āωāĻšā§āϚāĻŽāĻžāύ⧇āϰ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĨ¤ āĻĒāĻŋāϝāĻŧ⧇āĻŽāĻ¨ā§āĻŸā§‡āϰ āĻŦāĻŋāϞāĻžāϏāĻŋāϤāĻžāϰ āĻœā§€āĻŦāύāϝāĻžāĻĒāύ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻ—āĻžāχāĻĄāϟāĻŋ āĻĒāĻĄāĻŧ⧁āύāĨ¤

āϰ⧋āĻŽā§‡ āϏ⧇āϰāĻž āĻŦāĻžāχāϰ⧇āϰ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ: āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ ⧍ā§Ļ⧍ā§Ģ
āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āĻ…ā§āϝāĻžāĻĄāϭ⧇āĻžā§āϚāĻžāϰ

āϰ⧋āĻŽā§‡ āϏ⧇āϰāĻž āĻŦāĻžāχāϰ⧇āϰ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ: āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ—āĻžāχāĻĄ ⧍ā§Ļ⧍ā§Ģ

āϰ⧋āĻŽā§‡ āϏ⧇āϰāĻž āφāωāϟāĻĄā§‹āϰ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰ⧁āύ, āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ­ā§āϰāĻŽāĻŖ āĻāĻŦāĻ‚ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻŽāĻžāĻā§‡ āĻŽāϜāĻžāϰ āϏāĻ™ā§āϗ⧇āĨ¤ āϰ⧋āĻŽā§‡āϰ āĻ–ā§‹āϞāĻž āφāĻ•āĻžāĻļ⧇āϰ āύāĻŋāĻšā§‡ āĻœā§€āĻŦāύāϝāĻžāĻĒāύ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻ—āĻžāχāĻĄāϟāĻŋ āĻĒāĻĄāĻŧ⧁āύ!